Most of our film takes place inside the Taalim, a space where moments of vulnerability and care emerge within a rigid system of masculinity. This is central to our theme. These tender moments blur the line between emotional and erotic responses, while the setting reinforces a sense of entrapment. The portrayal of bodies shifts between mechanical objectification and emotional intimacy.

We use a vérité style to create an immersive, subjective experience but break from its traditional "fly on the wall" approach by occasionally incorporating interviews. These moments reveal how our characters like to project themselves to outsiders and bring out further nuances of the world. We rely on diegetic sound elements to evoke the mood of the space beyond the frame and non-diegetic music with subtle, often hypnotic instrumentation to highlight the thematic undercurrents in our film.
When we step outside the Taalim, we stay close to our characters and their perspectives.

The camera remains handheld while following Govind, effectively capturing the energy, unease, and tension he evokes, but remains on the tripod while capturing the intimate moments of the wrestlers. The film’s pacing is deliberate, lingering on the characters, yet accelerates dramatically during high-stakes matches, mirroring their intensity. A recurring motif throughout the film is the image of Lord Hanuman, depicted in various stages of transformation.